Review: ‘Star Wars: The Force Awakens’ is fun fan service

December 16, 2015 - photo frame

  • This print supposing by Disney shows Daisey Ridley as Rey, left, and John Boyega as Finn, in a stage from a new film, Star Wars: The Force Awakens, destined by J.J. Abrams. The film releases in a U.S. on Dec. 18, 2015. (Film Frame/Disney/Copyright Lucasfilm 2015 around AP) Photo: Film Frame, AP / Disney/Lucasfilm

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J.J. Abrams competence not rouse a denunciation of “Star Wars,” though he certain is smooth in it. “Star Wars: The Force Awakens” is no some-more and no reduction than a film that done us venerate it in a initial place. In fact, it’s fundamentally a same thing. Isn’t that what we all wanted anyway?

It’s tough to speak rationally about “Star Wars.” It is a deeply stupid thing, with a genuine, definite reason on a culture. Chalk it adult to nostalgia, common arrested growth or a ineffable. But for many, a sorcery of “Star Wars” is inseparable from a sorcery of a cinema and, hey, that’s no tiny thing.


These cinema make us remove ourselves in a spectacle. They make us forget a best instincts. They make us venerate a promotion as many as a art. They make us kids again.

In this way, “The Force Awakens,” a seventh film in this extraordinary nonetheless unavoidable series, delivers.

It’s a film done by someone who loves “Star Wars” deeply. Someone who can see some-more clearly than even a creator what done it so special to so many people. Abrams has taken all that we venerate about that initial film, smoothly topsy-turvy adult a few elements, and topsy-turvy out a zealous loyalty that’s a heck of a lot of fun to watch.

From a opening corkscrew to a sequel-setup ending, he manages to strike any kick of a 38-year-old predecessor.

Abrams has radically upheld a flame on to a new expel by creation them amalgamations of a originals. You’ll know it when we see it. Who cares if it’s “Star Wars” Mad-Libs?

There’s a resistance-affiliated droid, who ends adult stranded on a dried world carrying a tip summary (BB-8). There’s a nobody with a dead-end pursuit and a Jedi mania (Daisy Ridley’s Rey), who has a life-changing confront with pronounced droid. There’s a forward child capricious of his allegiances (John Boyega’s Finn). There’s a cocky commander (Oscar Isaac’s Poe Dameron). There’s a powerful, masked villain, too (Adam Driver’s Kylo Ren).

The tract is as unmanageable and MacGuffin-filled as one competence expect. It roughly serves no purpose to go into a specifics during this indicate over a fact that a universe is in disarray, an immorality army is flourishing (as is a resistance), and a array of coincidences assistance Rey collect a “Wizard of Oz”-worthy posse to assistance get BB-8 behind to a legitimate owners.

This time, it’s all given of Luke Skywalker (Mark Hamill). He’s vanished. Those are a initial difference on a shade and a final we’ll contend about a large mystery.

The movement is scarcely non-stop, as is a humor, that kicks into rigging when Han Solo (Harrison Ford) finally shows up. Ford is in his component — delightful, energetic, funny, ardent and entirely Han, sarcastic with Chewie and everybody with a same animation he showed scarcely 40 years ago.

If usually a same showcase was given to Carrie Fisher, who is woefully, inexcusably underused as Leia.

As for a new characters, Ridley’s Rey is a dream. She is feisty, endearingly awe-filled, able and magnetic. She is a new anchor. She is a Luke, and she’s many cooler than he ever was.

Driver’s Kylo Ren is also a disarmingly absolute presence, whose wrong seeps by a mask. Boyega is appealing as Finn, too, even if his impression doesn’t utterly make clarity on paper. (How do empathy, shame and celebrity rise in a male who has been lerned given birth to be a Stormtrooper?) But that’s holding things too seriously.

Others are reduction memorable, including Gwendoline Christie’s Captain Phasma, and Andy Serkis’s preposterous-looking Supreme Leader Snoke. And while Abrams captures a lively, hokey and unsentimental visible fun of a originals, he spasmodic slips into general blockbuster mode. But those moments pass, and all it takes is a ideal John Williams song evidence to ride we behind into a friendly sweeping of that universe far, distant away.

Loving “Star Wars” but haven isn’t an simply pardonable thing, and conjunction is a fun of “The Force Awakens.” They are alone linked. To venerate a strange is to venerate this one. On a own, “The Force Awakens” substantially isn’t much. It’s not expected to modify anyone, either. But for a rest of us — even a many infrequent of fans — it fits a check only fine.

“Star Wars: The Force Awakens,” is rated PG-13 by a Motion Picture Association of America for “sci-fi movement violence.” Running time: 135 minutes. Three stars out of four.

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MPAA Definition of PG-13: Parents strongly cautioned. Some element competence be inapt for children underneath 13.

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Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr

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