How to Shoot Minimalist Photos, or: Stop Ripping Off Michael Kenna

April 24, 2017 - photo frame

The cultured of minimalism is really tough to grasp in a universe that is full of calm and never finale clutter. As photographers, how do we constraint a stage in a minimalistic character though blatantly duplicating artists like Michael Kenna or Hiroshi Sugimoto?

First, know a disproportion between copying, plagiarism, remixing, and inspiration. Take from a artists we like and make it your own. Personally, we consider creation a detailed character that is minimalistic your possess is really tough though someone else observant that looks like so and so.

Over time, however, your possess voice, views and ideas will gleam by your work if we know a disproportion between piracy and inspiration. So let’s start from a commencement and labour and revoke as we go.

– Noun
1. A transformation in sculpture and portrayal that arose in a 1950s, characterised by a use of simple, large forms.
2. Deliberate miss of emblem or decoration in character or design.

Let’s put this compendium outline into terms we know relating to photography. Minimalism is a act of stealing elements or nonessential structures that take divided or confuse from a subject, concentration or concept. Showing an intent or thought in a simplest form. That’s my interpretation of it anyway.

Removing anything that triggers, history, culture, memory or narrative; perplexing to emanate a pacific or strenuous knowledge for a spectator so they can be in a impulse with a photograph.

This is all good and good, though how do we exercise this into your photography though ripping off Micheal Kenna? For me, when we proceed a theme or stage we have dual thoughts in my mind when capturing a minimalistic aesthetic.

  1. Ask yourself what is a categorical component of your selected subject? It could be what materials are used to erect a object, or a joinery that binds it together. It could be a aged or scarred skin of your theme that tells their story. Maybe a changing continue patterns or seasons during a plcae could be your focus.
    Whatever it is, collect a categorical component that stands out to we a most. Only embody that in your frame.
  2. What are we perplexing to say; what is a summary or idea? It could be that we are perplexing to uncover a place is strong, peaceful, wordless or timeless. You competence be perplexing to showcase a feeling of honour or workmanship. Your thought competence be we only wish a flattering photo, and that’s OK too.
    Whatever your thought or message, consider to yourself what’s a categorical indicate or goal. Look during your theme and ask yourself what am we perplexing to contend and what is a many simple component that shows that idea.
Roof of Auckland Art Gallery, New Zealand

An instance of all this together could be: we go to a internal gallery and wish to concentration on a building itself instead of a people or artworks.

  1. The gallery building. Perhaps we could uncover power, strength, standing or protection. So meditative out loud, building? protection? How about photographing a roof?
  2. The building’s roof symbolizing protection. we mislay all other elements and distractions from a frame, to do so we photographed true up. The outcome a minimalistic print that captures all a categorical thought we wanted to convey.

Through calm and simplicity, we strech minimalism. To be so daring: a overpower of zen or god, a space for speculation and meditation.

Minimalism isn’t about nothing, it’s a blank to everything. So collect adult your camera and make something with a minimal aesthetic. Who knows we competence only finish adult being a subsequent Michael Kenna.

About a author: A.B Watson is a New Zealand photographer formed in Auckland. The opinions voiced in this essay are only those of a author. To see some-more of his work, conduct over to his website or follow him on Facebook and Instagram. This post was also published here.

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